Michael Brasser Productions
present the DOUBLE BILL: Big Al & The Centenarian.
Two Short Plays, One Ticket.
The critically acclaimed Big Al by Bryan Goluboff tells the
story of what happens when two struggling writers in New York City are given
the opportunity to write a screenplay for their idol, Al Pacino. Set in real
time, follow Leo (Vincent Andriano) and Ricky (Shane Savage) as they develop
their script and discover what they’re willing to sacrifice for success.
From New York City to suburban Sydney, The
Centenarian by Philip Ryall follows Shirl (Sarah Hallam) and Clive (Vincent
Andriano) as they prepare for Gran’s 100th Birthday celebrations. With three
hours before Gran makes her century, things take a turn for the worse and the
couple hilariously navigate how to still throw the party and receive their
inheritance.
Strictly Limited Season! February 2013.
Thursday 7th Feb 8pm (Gala Opening)
Friday 8th Feb 8pm
Saturday 9th Feb (Matinee) 3pm
Saturday 9th Feb 8pm
Sunday 10th Feb 6pm
PLAYING AT CHAPEL OFF CHAPEL
12 Little Chapel St, Prahran, Melbourne, Victoria, 3181
$28 Full, (+Transaction Fee)
$24 Conc. (+Transaction Fee)
$24 Group10+ (+Transaction Fee)
Book ticket at www.chapeloffchapel.com.au
Big Al by Bryan Goluboff
Directed By: Sarah Hallam
Starring: Shane Savage & Vincent Andriano
The Centenarian by Philip Ryall Directed By: Shane Savage
Starring: Sarah Hallam & Vincent Andriano
Click READ MORE to hear from the Cast & Crew!
Shane Savage
(Associate Producer, Ricky in Big Al, Director – The Centenarian)
Since graduating from Deakin University with a Bachelor of Creative Arts (Drama/Film), Shane went on to study full time at the Howard Fine Acting Studio under tuition from their esteemed L.A based faculty. Recent film work includes Dean in ‘Nevyr Love a Vampyr’ (Geoffrey Wright), Alex/Ray in ‘Semblance’ (Tom Shanan), Chris in webseries ‘Chris and Josh’ (Matt Smolen/Balloon Tree Productions) and film clips for Kimbra and Vanessa Amorosi. Recent theatre credits include Jack Novarro in Playing Rock Hudson, Herres in Maurice Guest (both with FLY-ON-THE-WALL Theatre), Dancer/vocalist in numerous variety shows and The Emcee in Cabaret, which earned Shane the theatrepeople.com.au peoples choice award for Best Supporting Actor and allowed him to reprise his role, opening the 2010 Lyrebird Awards ceremony with ‘Wilkommen’. Whilst studying at Deakin, Shane also ran student theatre company ‘BuST Co’, producing and directing several productions, including the Melbourne International Comedy Festivals sellout season of ‘PUNCHLINE’.
1. What has it been like being involved in this Production?
It has been an absolute blast! I’ve loved every second of it. I
couldn’t dream of working with a greater team, everything is collaborative and
we all speak the same language – which makes for no drama or politics!
2. Could you please give us a few words about your role(s) in the
production?
Where to start? As well as being Associate Producer of the Double
Bill, I’m also playing the role of Ricky in ‘Big Al’ and Directing ‘The
Centenarian’.
3. How did you come to be a part of this?
This production is my baby. In a scene study class with Howard Fine
last year he asked me to prepare a scene from ‘Big Al’. Ultimately, I ended up
doing a completely different piece for Howard but I had already fallen in love
with the script for ‘Big Al’. Nearing the end of my full time study last year I
wanted to create my own work and approached some of my colleagues from the
studio to join me in this new venture. After assembling the team I realized
that I had stumbled upon my dream cast for a script that I had up my sleeve
(since studying at Deakin University) and approached them with the idea of a
Double Bill, with Sarah directing Vincent and myself in ‘Big Al’ by Bryan
Goluboff and then I would direct both of them in ‘The Centenarian’. I knew that
the scripts explored similar themes and would work well together, but it wasn’t
until we began rehearsing and really dissecting the pieces that I realized just
how well they complimented each other. Both follow the integral themes of love
and sacrifice, and without giving too much away, mirror each other in terms of
structure and conclusion within a hypothetical fantasy world created by the
characters.
4. What does it mean to you to be presenting this work?
At the risk of sounding like a cliché, it means the absolute world
to me. To be able to turn this project from concept in to reality is incredibly
fulfilling and I’m so grateful to everybody that has helped in getting this
project together. I have called on too many incredibly talented and creative
friends to name them all, but special thanks must be made to Michael Brasser,
my Executive Producer and all of the support and love coming from the Howard Fine
Acting Studio.
SARAH HALLAM
(Director – Big Al, Shirl in The Centenarian) Sarah has just graduated from fulltime study at Howard Fine Acting Studios, but has been working extensively in the industry for the past 16 years. Sarah's television acting credits include Rush, Neighbours, City Homicide, Canal Road, Stingers, Blue Heelers, and Scooter Secret Agent. Sarah was one of Straightjacket Theatre's founding members and made her Directing debut in 2010 with MEN by Brendan Cowell. From there, Sarah went on to direct film clip ‘The Ballad of You, Me and Donnie McGee’ by Speed Orange (Nominated for Atom Awards’ Best Film Clip) and Directed the Rush Webisodes for Network Ten, in co-production with Southern Star. As well as acting and directing, Sarah has worked in casting with casting agents Faith Martin, Jodie Brearley, Christine King, Kate Leonard, Jo Rippon, Helen Salter, Mel Mackintosh, Kirsty McGregor, Toni Higginbotham, Fremantle Media, 2 Diva's and Peta Einberg.
1. What has it been like being involved in this
Production?
It's very difficult as the cast don't get along, there just seems to
be a lack of electricity in the rehearsal room, and the possums in the roof
seem to steal my thunder....however we do have air con to deal with Melbourne's
heat waves...and Shane has been providing cake at every rehearsal! This production has the luxury of working with the Howard Fine technique
correctly as well as collaboratively, so rehearsals are challenging, rewarding
and inspiring.
2. Could you please give us a few words about your role(s) in the
production?
I'm directing Vincent and Shane in Bryan Goluboffs 'Big Al' and I'm
also acting in Philip Ryall's 'The Centenarian". They are one act plays;
black comedy's that face similar themes, as well as deal with the world in its
natural state and the imaginary realm.
3. How did you come to be a part of this?
2012... a year of kicking and screaming about the lack of work in
Melbourne or rather the lack of auditions I can obtain,,,I decided to graduate
from the Howard Fine Acting School and score myself a directing and acting gig
to celebrate.
4. What does it mean to you be presenting this work?
To be able to put on work at Chapel off Chapel is a privilege. To work with Shane and Vincent who are so passionate, dedicated and
talented is an absolute honor. As most of my work has been filming on set, being able to work in
theater and be a part of the cultural fabric of Melb is very exciting. I
believe that Theater makes a difference and changes and affects people
which is why I love doing what I do.
VINCENT
ANDRIANO (Leo in Big Al, Clive in The Centenarian)
Vincent studied
acting at NIDA during high school and since has appeared in several short films
and television commercials. After graduating from Macquarie University, earning a Bachelor of Media
in Screen Production and English Literature, Vincent studied at the Dov Simens
Filmmaking School in New York before completing his post-graduate Certificate
in Directing at the Australian Film, Television, and Radio School (AFTRS). For
3 years Vincent taught acting at ClubHouze Performing Arts Academy (formerly
Brightstars). Some of Vincent’s theatre credits include ‘Sir Henry Baskerville’
in Hound of the Baskervilles, ‘Mr. Lucas’ in a stage adaptation of Are You
Being Served?, ‘Cassius’ in Julius Caesar, and ‘Macbeth’ in Macbeth, as well as
being a two-time Gala Grand Finalist in the Sydney Short + Sweet Theatre
Festival. Vincent recently played the lead role in feature film 'Brush', which
is currently moving through the international festival circuit recently winning
Best Picture in the New Hope Film Festival Awards, USA. Vincent has just
graduated the full-time program at the Howard Fine Acting Studio Australia.1. What has it been like being involved in this Production?
I
couldn’t effectively convey just how grateful and honoured I feel to be
included in this production. My biggest challenge has been wrapping my head
around playing two very complex and different characters in two very
contrasting yet superb plays, back to back. However, the ‘team’ attitude shared
by all involved has allowed me to safely and freely explore the jump from being
a mentally-erratic, crazed fan of the great Pacino, into the socks-and-sandals
of a downtrodden husband with a heart condition and a sudden case of life and
death on his hands.
2. Could you
please give us a few words about your role(s) in the production?
In ‘Big Al’ I
am playing Leo, a suicidal yet eager young New York screenwriter, utterly
obsessed with “one of the most gifted actors in the history of American film”,
Al Pacino. In ‘The Centenarian’ I play Clive, an aging Aussie bloke and
mortuary attendant that has to use his expertise dealing with dead people in a
whole new way.
...Eh, all in
a day’s work.
3. How did
you come to be a part of this?
While
studying full time at the Howard Fine Acting Studio Australia in 2012, I came
to know both Shane Savage and Sarah Hallem as classmates and colleagues. One of
the many great lessons we three took from the school was the advice to
constantly pursue and create our own work. An inevitable collaboration amongst
us students seemed to permeate in the atmosphere, particularly towards the end
of the rather intense course. So, this project was born and, I’m sure, is the
first of many to come.
4. What does
it mean to you to be presenting this work?
Doing this
production post full time study has given us the opportunity to instantly
incorporate the lessons we learnt last year, outside the classroom. The
techniques taught under the Howard Fine umbrella were those of a highly
professional standard in preparation for what the industry expects of actors. I
relish the chance to present this along side some of the most gifted people
I’ve ever worked with, in one of the most accomplished theatre pieces I’ve ever
been a part of. Doesn’t hurt that I’m also, incidentally, livin’ the actor’s
dream, a.k.a working.
MICHAEL
BRASSER (Executive Producer)
1. What has it been like being involved in this Production?
Amazing! The whole team has so much passion and drive.
2. Could you please give us a few words about your role(s) in the
production? As the executive producer I am the like the God father. Over seeing
everything, not just paying the bills but over guidance to develop the best
show we can.
3. How did you come to be a part of this?
Shane approached me last year with both of the fabulous scripts and
after discussing them with him I learnt the passion he had. I got very excited
and decided then and there to put it on.
4. What does it mean to you be presenting this work? I strongly
believe that every deserves a chance in theatre. I love discovering new and
inspiring talent.
Thank you to Shane Savage and his entire crew who took some time out to assist with putting this interview together. To the people of Australia (especially Melbourne!!), get behind this amazing project. I'll be seeing you down there.
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